Archive for the Curiosa & Forteana category
by Suzanne on August 5th, 2012
Very special Wurzeltod® friend Alex CF is back from touring with his countless bands and being an incredibly
possessed tentacled mastermind unstoppable creative force, he has some fantastic things lined up for you.
First up is the joyous announcement of his 2nd London solo show which will be opening this Thursday, August 9, 6.30 PM (RSVP HERE!), at the best location I could possibly imagine for his creatures, namely the veritable Old Operating Theatre located in the time capsule roof space of the Baroque St. Thomas’ Church. It’s one of the oldest surviving operating theatres on earth and to have it filled with Alex‘s cryptozoological specimens is an absolute curatorial masterstroke.
You can find all the details for the show below. Tell your friends about it.
Fetal skeleton by Alex CF, 2012
In other news that would make the Elder Gods jealous, Alex has just released an entirely hand-cast, hand-painted action figure of the dark lord, Monsieur H. P., himself.
Limited to 50 figures only, Lovecraft comes with a comic, a shirt and a screen print, all created by Alex, in a black magnetic sealed box.
H. P. Lovecraft action figure set by Alex CF, 2012
Opening: Aug 9, 2012, 6.30 PM, RSVP HERE!
On show: Aug 10 – Sep 1, 2012
Hours: 10.30 AM – 5 PM daily
Admission: £6 adults, £3.50 children (all proceeds go to the Old Operating Theatre)
by Suzanne on March 2nd, 2012
Self Portrait as Post Script by Julie Heffernan, 2007, oil on canvas, 67 x 56 inches – click to enlarge
Announcements of new Heffernan shows (thank you, Phantasmaphile!) are always a good excuse for me to go for a dive in the endless pool of her archived works – and realise that Booty (see image above and below) remains my favourite series to date.
And although I’m not entirely sure which of her flora-and-fauntastical self-portraits will be on show at the Infinite Work in Progress solo show, the well-chosen title and the fact that there’s over 20 works on display both suggest that the probability that you’ll get to see something from the Booty series is mathematically speaking relatively high.
I know I normally tend to post free exhibitions here but yes, I would still say that it’s worth the $12 (OUCH, Y THOUGH?!) admission fee.
Self Portrait as Spill by Julie Heffernan, 2007, oil on canvas, 68 x 60 inches – click to enlarge
On show: Feb 16 – May 13, 2012
Hours: Tue – Sat: 10 AM – 5 PM, Sun: 12 – 5 PM
by Suzanne on February 28th, 2012
Still from Mound video by Allison Schulnik, 2011 – click to enlarge
I don’t think I ever had a) an exhibition announcement for Overland Park, Kansas and b) so little information on a show as there seems to be neither preview nor press release for Allison Schulnik‘s Nerman Museum show so I guess it’s just an uhmm.. exhibition of Allison Schulnik‘s video work? Yay. ¬_¬
From the three images on the museum website, all I can gather is that more recent works will be on show as the pictures are all stills from her Mound video that the museum recently acquired and which you can see below.
So if you’re planning to check it out, do share your impressions so I can update this post.
On show: Jan 13 – Apr 1, 2012
Address: Nerman Museum, Second Floor Galleries, 12345 College Blvd., Overland Park, KS 66210, USA, tel: +1 913.469.3000
Hours: Tue, Wed, Thu, Sat: 10 AM – 5 PM, Fri: 10 AM – 9 PM, Sun: 12 – 5 PM
by Suzanne on February 22nd, 2012
We interrupt this broadcast to bring you this important intergalactic message from the data highway/PoE:
by Suzanne on December 26th, 2011
To wrap up 2k11 on the Wurzelblog, I decided to post the 20 articles you guys liked best – according to likes, shares and reactions – and I must say, you’ve got a rather amazing and futureproof taste in the arts, people.
Many thanks for taking the time to submit stories, comment and interact in the past year(s).
(In order of popularity and ordered into rather random categories. Click on images to read stories.)
ART FEATURES & REVIEWS
HISTORY & SCIENCE
by Suzanne on December 25th, 2011
Please excuse the lack of updates in the recent past, gentle reader. It’s due to very bad internet access that pretty much only allows me to update my Facebook with the usual award-winning and highly offensive daily dose of anti-information.
Anyways, because this is an oh-so special time of consumerist rubbishness, I decided that I should really annoy you and your family with some very obnoxious LOLmas videos for absolutely no reason.
Featuring an awesome Jewish kid, a very disappointed non-Jewish kid, Heino, as well as Irish and 3D creepiness. Thanks to PoE for the inspiration and beautiful and very talented Suzanne Walsh for the Moving Crib video from her homeland.
Oh, and if you made it this far without an intracerebral hemorrhage, I suggest you now lock yourself in a pitch-black room with this video projected onto all four walls. Then swallow the key.
Merry Whatever from Wurzeltod. x
by Suzanne on November 19th, 2011
La poupée by Hans Bellmer, painted wood, papier-mâché, mixed media, 1935/36, 61×170×51 cm, courtesy Centre Georges Pompidou, Musée national d’art moderne, photo © Collection Centre Pompidou/Vertrieb RMN/Georges Meguerditchian/ProLitteris – click to enlarge
I dislike the way big art metropoleis *cough* London *cough* always label their sell-out shows *cough* Leonardo da Vinci *cough* as “Shows of the Century” when - IF you can afford the outrageous admission prices at all - these shows are normally so totally overrun you really can’t appreciate the art or are even given a specific time slot and need to get the hell out after 30 minutes. Trust me, I know. I actually went to the last “big da Vinci thing” in London a couple of years back but I can’t even recall whether it was at the V&A, the Royal Academy or the British Museum. All I remember is that I COULDN’T SEE SHIT and people had the NERVE to bring their Dan Browns along. Jesus Christ.
Anyways, so thankfully, there’s always the smaller, quieter places that put on masterpieces of curating in the middle of nowhere – pretty much overlooked by the international media.
Well, one such tremendous art historical chef-d’oeuvre of a show is currently taking place at the Fondation Beyeler in Riehen near Basel.
Amongst the usual suspects that I won’t even bother mentioning here because the Beyeler is pretty notorious for its huge collection of surrealist art, you will meet the conjoined limbs of Hans Bellmer, the giant eyes of Paul Delvaux, the apocalyptic dreamscapes of Max Ernst and the sculptural synaesthesia of Méret Oppenheim.
Yes, I know right?! o_O
The exhibition looks also very stunning from an interior design point of view and a lot of effort, time.. and obviously money.. has been spent to contextualise and document the pieces. Definitely one to check out if you’re in Switzerland.
Surrealismus in Paris runs until the end of January 2012. Details below.
Der Gegenpapst by Max Ernst, oil on canvas, 1941/42, 161×127 cm, courtesy Peggy Guggenheim Collection, photo © David Heald/The Solomon R. Guggenheim Foundation/ProLitteris – click to enlarge
On show: Oct 2, 2011 – Jan 29, 2012
Hours: Mon – Sun: 10 AM – 6 PM
Admission: CHF 25.– (but special deals with public transport!)
by Suzanne on November 19th, 2011
L’Éphémère tangible by Les Deux Garçons, taxidermy, mixed media, 2011, 116 x 85 x 30 cm – click to enlarge
We’re staying in Taxidermistan for yet another blog post. This time, we’re revisiting the Dutch taxidermy artists Les Deux Garçons who I featured waaaaay back in the olden days in both the Porcellana Nervosa and Taxidermia Wurzeltodensis threads because they are so damn awesome.
And well, the two brothers have been busy since then and are currently showing brand new works at Jaski Gallery in Amsterdam. From what I understand, only the first 10 pieces of this preview will be on display (actually, I reckon it’s probably everything that’s dated with 2011) but I’m convinced you won’t be disappointed if you enjoy the sickly sweet branch of taxidermy art.
Oh, and if you happen to have the… errrm… modest amount of €12,500 in your wallet, you can even purchase the title piece of this exhibition: L’Éphémère Tangible (see top image).
On show until November 27. All details below.
L’Étonnement by Les Deux Garçons, taxidermy, mixed media, 2010, 50 x 50 x 40 cm – click to enlarge
On show: Nov 12 – 27, 2011
Address: Jaski, Nieuwe Spiegelstraat 29, 1017 DB Amsterdam, The Netherlands, tel: 020-6203939, email: firstname.lastname@example.org
Hours: Mon – Sun: 12 – 6 PM
by Suzanne on November 18th, 2011
Peek into a scene of Margaretha Dubach‘s Mice Museum, photo by Andi Teuscher – click to enlarge
I’m not sure how many of you remember my appeal to save the beloved Mice Museum that I posted back in March this year.
Well, good news is it’s been saved. And that means all of Margaretha Dubach‘s original 22 display cabinets with taxidermied and skeletal mice telling the story of Otto Maus – who happens to be Hieronymouse‘s cousin – and the phantasmagoria and nightmares he encounters after being chased away for stealing pudding.
Peek into a scene of Margaretha Dubach‘s Mice Museum, photo by Christian D. Link – click to enlarge
The mice are now in the capable paws of Christian D. Link and the little furry friends are currently on show at Naturhistorisches Museum in Bern, Switzerland, where they will remain on display until January 2012 – I will try to drop by with Hieronymouse himself early next year. He does miss his Emmentaler. And his family.
Details below. For a little video overview (in German) of the original Mice Museum click here.
Peek into a scene of Margaretha Dubach‘s Mice Museum, photo by Franz Rindlisbacher – click to enlarge
On show: Nov 9, 2011 – Jan 29, 2012
Hours: Mon: 2 – 5 PM, Tue – Fri: 9 AM – 5 PM, Sat – Sun: 10 AM – 5 PM
by Suzanne on November 17th, 2011
Although I missed the opening reception for Ryo Arai’s show at London’s ICN Gallery, I did manage to check it out after a fantastic Liberty Snake ZeroZeroNain organised by Misanthropop that saw some of London’s best post-punk DJs and connoisseurs come together.
Anyways, after admittedly being initially a bit disappointed that the sculpture on the exhibition flyer was not actually on show, everything completely made up for that slight flaw. So much so that this is hands down my favourite London show of 2k11 after Charles Matton’s Enclosures at All Visual Arts earlier this year.
It was tricky to capture all the details of the gorgeous papier-mâché texture of the sculptures in the photos but I hope you nevertheless enjoy these impressions of the show.
What’s more is that the ICN staff was extremely sweet, helpful and very knowledgeable and I purchased an absolutely gorgeous and apparently out-of-print Ryo Arai monograph for as little as a handful of sushi.
East London can be glad to have this magical new place delivering so much Japanese ocular and culinary goodness to the area.
Essence of Edo-Tokyo will remain on view until this Saturday, November 19, so do go check it out if you’re in London.