Archive for the Cryptozoology category
by Suzanne on December 26th, 2011
To wrap up 2k11 on the Wurzelblog, I decided to post the 20 articles you guys liked best – according to likes, shares and reactions – and I must say, you’ve got a rather amazing and futureproof taste in the arts, people.
Many thanks for taking the time to submit stories, comment and interact in the past year(s).
(In order of popularity and ordered into rather random categories. Click on images to read stories.)
ART FEATURES & REVIEWS
HISTORY & SCIENCE
by Suzanne on November 19th, 2011
L’Éphémère tangible by Les Deux Garçons, taxidermy, mixed media, 2011, 116 x 85 x 30 cm – click to enlarge
We’re staying in Taxidermistan for yet another blog post. This time, we’re revisiting the Dutch taxidermy artists Les Deux Garçons who I featured waaaaay back in the olden days in both the Porcellana Nervosa and Taxidermia Wurzeltodensis threads because they are so damn awesome.
And well, the two brothers have been busy since then and are currently showing brand new works at Jaski Gallery in Amsterdam. From what I understand, only the first 10 pieces of this preview will be on display (actually, I reckon it’s probably everything that’s dated with 2011) but I’m convinced you won’t be disappointed if you enjoy the sickly sweet branch of taxidermy art.
Oh, and if you happen to have the… errrm… modest amount of €12,500 in your wallet, you can even purchase the title piece of this exhibition: L’Éphémère Tangible (see top image).
On show until November 27. All details below.
L’Étonnement by Les Deux Garçons, taxidermy, mixed media, 2010, 50 x 50 x 40 cm – click to enlarge
On show: Nov 12 – 27, 2011
Address: Jaski, Nieuwe Spiegelstraat 29, 1017 DB Amsterdam, The Netherlands, tel: 020-6203939, email: email@example.com
Hours: Mon – Sun: 12 – 6 PM
by Suzanne on November 18th, 2011
Peek into a scene of Margaretha Dubach‘s Mice Museum, photo by Andi Teuscher – click to enlarge
I’m not sure how many of you remember my appeal to save the beloved Mice Museum that I posted back in March this year.
Well, good news is it’s been saved. And that means all of Margaretha Dubach‘s original 22 display cabinets with taxidermied and skeletal mice telling the story of Otto Maus – who happens to be Hieronymouse‘s cousin – and the phantasmagoria and nightmares he encounters after being chased away for stealing pudding.
Peek into a scene of Margaretha Dubach‘s Mice Museum, photo by Christian D. Link – click to enlarge
The mice are now in the capable paws of Christian D. Link and the little furry friends are currently on show at Naturhistorisches Museum in Bern, Switzerland, where they will remain on display until January 2012 – I will try to drop by with Hieronymouse himself early next year. He does miss his Emmentaler. And his family.
Details below. For a little video overview (in German) of the original Mice Museum click here.
Peek into a scene of Margaretha Dubach‘s Mice Museum, photo by Franz Rindlisbacher – click to enlarge
On show: Nov 9, 2011 – Jan 29, 2012
Hours: Mon: 2 – 5 PM, Tue – Fri: 9 AM – 5 PM, Sat – Sun: 10 AM – 5 PM
by Suzanne on November 17th, 2011
Although I missed the opening reception for Ryo Arai’s show at London’s ICN Gallery, I did manage to check it out after a fantastic Liberty Snake ZeroZeroNain organised by Misanthropop that saw some of London’s best post-punk DJs and connoisseurs come together.
Anyways, after admittedly being initially a bit disappointed that the sculpture on the exhibition flyer was not actually on show, everything completely made up for that slight flaw. So much so that this is hands down my favourite London show of 2k11 after Charles Matton’s Enclosures at All Visual Arts earlier this year.
It was tricky to capture all the details of the gorgeous papier-mâché texture of the sculptures in the photos but I hope you nevertheless enjoy these impressions of the show.
What’s more is that the ICN staff was extremely sweet, helpful and very knowledgeable and I purchased an absolutely gorgeous and apparently out-of-print Ryo Arai monograph for as little as a handful of sushi.
East London can be glad to have this magical new place delivering so much Japanese ocular and culinary goodness to the area.
Essence of Edo-Tokyo will remain on view until this Saturday, November 19, so do go check it out if you’re in London.
by Suzanne on November 6th, 2011
P.S. The next Best of YouTube is still in preparation. Sorry it’s been so long!
by Suzanne on November 4th, 2011
Jorogumo by Ryo Arai – click to enlarge
This is an exhibition announcement for a brand new gallery space London, i.e. myself, has been waiting for: ICN Gallery has officially set foot in Leonard Street to FINALLY bring some much needed japanophilia to East London’s art scene and will therefore from now on be my first automatic stop to check out in town – just like the always yummy sushi counter at the Japan Centre.
Ubume (detail) by Ryo Arai – click to enlarge
You can tell I’m particularly enamored with Ryo Arai‘s papier-mâché yokai and I cannot wait to see his works in person. The images featured here are all from his Yokai Hariko series but from what I can see in the press release, only the top sculpture, Jorogumo, will be exhibited – together with other recent oeuvres by him.
The press release states very correctly:
“Utilizing techniques from Edo karakuri, transom sculpture, netsuke and noh theatre mask making, his transcendent techniques makes it hard for the viewer to believe that his work is actually made out of paper.”
Mouryou (detail) by Ryo Arai – click to enlarge
On show: Oct 27 – Nov 19, 2011
Address: ICN, 96-98 Leonard Street, London EC2A 4RH, UK, tel: 020 7729 7977, email: firstname.lastname@example.org
Hours: Mon – Sun: 12 – 7 PM
by Suzanne on September 23rd, 2011
And to be even more annoying, I decided to not give you a preview of the actual work on show at Schirn Kunsthalle in Frankfurt but of past works, because, to be quite frank with you, Crepusculum reminded me very much (too much?) of my esteemed friends Kahn & Selesnick‘s work – only in a slightly more Burning Man fashion.
Opens this coming Wednesday, Sep 28 – the artist will be in attendance. Details below.
Opening reception: Wed, Sep 28, 2011, 7 PM onwards – artist will be in attendance
On show: Sep 29, 2011 – Jan 8, 2012
Hours: Tue, Fri – Sun: 10 AM – 7 PM, Wed-Thu: 10 AM – 10 PM
by Suzanne on September 20th, 2011
Hangjongeren by Idiots, taxidermy squirrel, hoodie, 2007, French private collection – click to enlarge
The taxidermists haven’t been idle since then and are currently presenting their most recent creatures, sculptures and embroidery works at Amsterdam’s artKitchen Gallery in a retrospective entitled Romantic Decay.
Sadly, the gallery never replied to my image request so I therefore have no clue what’s precisely going to be on show and have decided to feature two of my old Idiots favourites here instead. Details for the show below.
Niet aaien! (Do not pet!) by Idiots, taxidermy hedgehog, pins, antique wheel, 30 x 20 x 15 cm, 2006, French private collection – click to enlarge
On show: Sep 18 – 27, 2011
Opening hours: Wed – Sat: 1 – 6 PM, and by appointment
by Suzanne on September 16th, 2011
The Big Adventure Story Roman 4 by Jan Švankmajer, 1997-98 – click to enlarge
The main - and sometimes only - reason why I think it’s worth putting quite a lot of time, blood, sweat, tears and of course more and more Godzilla bukkake into this blog is because I have a fantastic readership (yes, YOU!).
Just after I posted about the Quay Brothers and mentioned Jan Švankmajer, long-time reader and supporter Kid37 alerted me to a vast Švankmajer retrospective currently on display at the Kunsthalle Wien that’s an absolute must-see if you’re a Švankmajarian.
Meat Love by Jan Švankmajer, 1989
The great thing about The Cabinet of Jan Švankmajer – The Pendulum, the Pit, and other Peculiarities is that not only films will be presented but also a comprehensive selection of his graphic and collaged works from different decades.
Ossuary by Jan Švankmajer, 1970
Švankmajer has always been the best commentator on his own work so let’s have him explain what you’re going to witness in Vienna:
“Whatever comes out of my subconscious I use it because I consider it to be the purest form; everything else in your conscious being has been influenced by reality, by art, by education, and by your upbringing, but the original experiences that exist within you are least corrupted of all experiences.”
Amen to that, amen. Details below.
On show: Sep 7 – Oct 2, 2011
Opening hours: Daily: 10 AM – 7 PM
Publication: Monograph on Jan Švankmajer’s oeuvre (incl. interview) is now available. 240 pages, app. 100 images, German/English. Verlag für moderne Kunst Nürnberg.
by Suzanne on September 15th, 2011
A while ago, the lovely Joanna of Morbid Anatomy fame shared the details for the premiere of Through the Weeping Glass: On the Consolations of Life Everlasting (Limbos & Afterbreezes in the Mütter Museum) – the Quay Brothers‘ new 30 min documentary film for and about the College of Physicians of Philadelphia and the Mütter Museum.
Apart from an exhibition at the Mütter itself, there’s also going to be three screenings of the new movie, the first one on Sep 22 in Philadelphia at the Mütter, a 2nd one will take place on Sep 24 at the MoMA in New York and the final screening will be presented by L.A.’s fantastic Museum of Jurassic Technology on Sep 27 at the Cary Grant Theatre.
Now, as this has been advertised for a while already, it seems that the screening at the Mütter is sold out but there’s a waiting list. The MoMA listing doesn’t have any booking information so I must assume it’s sold out too and so is the L.A. event. HOWEVER, as we all know from sold-out events, if you are smart and eager enough, I’m sure you can get hold of a ticket… somehow. Darwinism and all that.
And you know why it’s totally worth the effort? Cause, yes, the brothers will be present at all three screenings for talks and questions.
Some time after these initial screenings, the film will be made available on DVD with an accompanying booklet. I’ll keep you posted on that.
In the highly unlikely case you’ve never heard of the Quay Brothers, here’s the visually epic 2nd part of one of my favourite works by them, Street of Crocodiles from 1986 (1st part is here if you want to watch in context).