Archive for December, 2011
by Suzanne on December 26th, 2011
To wrap up 2k11 on the Wurzelblog, I decided to post the 20 articles you guys liked best – according to likes, shares and reactions – and I must say, you’ve got a rather amazing and futureproof taste in the arts, people.
Many thanks for taking the time to submit stories, comment and interact in the past year(s).
(In order of popularity and ordered into rather random categories. Click on images to read stories.)
ART FEATURES & REVIEWS
HISTORY & SCIENCE
by Suzanne on December 25th, 2011
Please excuse the lack of updates in the recent past, gentle reader. It’s due to very bad internet access that pretty much only allows me to update my Facebook with the usual award-winning and highly offensive daily dose of anti-information.
Anyways, because this is an oh-so special time of consumerist rubbishness, I decided that I should really annoy you and your family with some very obnoxious LOLmas videos for absolutely no reason.
Featuring an awesome Jewish kid, a very disappointed non-Jewish kid, Heino, as well as Irish and 3D creepiness. Thanks to PoE for the inspiration and beautiful and very talented Suzanne Walsh for the Moving Crib video from her homeland.
Oh, and if you made it this far without an intracerebral hemorrhage, I suggest you now lock yourself in a pitch-black room with this video projected onto all four walls. Then swallow the key.
Merry Whatever from Wurzeltod. x
by Suzanne on December 6th, 2011
Keeping Up the Pureness by Matsui Fuyuko, 2005 (original) and 2010 (reproduction) – click to enlarge
Matsui Fuyuko. Insanely talented, bright, stunningly beautiful. And modest. There’s more than enough reasons to worship this artist but for me personally, it’s the fact that she wrote her doctoral dissertation on The Inescapable Awakening to Pain, through Visual Perception via the Sensory Nerves. *bites lips*
If you don’t want to take my word for it but convince yourself of her many talents, please watch this footage of her working on Carved Limbs on an Altar over here on YouTube (sadly, embedding has been disabled).
I must say it’s an absolute mystery to me why she’s not as big in the occidental art world as back in Japan but it seems that enthusiasm for her work is slowly growing and as every so often, it’s French galleries and publishing houses leading the way. And anyways, it’s not like art appreciation in the West in this apathetic and ironic century still has ANYTHING whatsoever to do with technique, ingenuity, originality, imagination or vision. Sometimes it actually seems like it’s the very opposite that’s in demand.
Anyways, back to Matsui Fuyuko: First of all, Gallery Naruyama in Tokyo in conjunction with Galerie DA-END in Paris has released a beautiful signed and limited edition box sets of Matsui‘s oeuvre containing 20 of her artworks, including the very popular Nyctalopia and Keeping Up the Pureness (above). It can be pre-ordered from Naruyama for JPY 46,000. There’s also a “KIRI” special deluxe set in an edition of 45 only which includes an engraving of the gorgeous Rough Draft for Virgin Specimen (2009, bottom) for JPY 480,000. More details on how to reserve and order here.
And before you go “Uh, that’s very pricey. Bitch!” think about what sums the likes of Mark Ryden sell BOOKS full of repetitive iconography for these days. Also check the edition size on that. Exactly. I rest my case.
And in other brilliant news, Matsui Fuyuko will have an exhibition entitled Becoming Friends with All the Children in the World which opens later this month at Yokohama Museum of Art and will remain on view until March 2012. I know it sounds like a Michael Jackson manifesto, but I’m somehow sure that’s not what it’s about at all. More details about the show below.
Rough Draft for Virgin Specimen by Matsui Fuyuko, 2009 – click to enlarge
On show: Dec 17, 2011 – Mar 18, 2012
Hours: Fri – Wed: 10 AM – 6 PM
by Suzanne on December 2nd, 2011
© Mirka Lugosi, 2008
I posted an introduction to Mirka Lugosi‘s work only back in October when she was showing her work in Montpellier and well, she’s already having another exhibition entitled L’Homme Invisible on French soil, this time held at Confort Moderne in Poitiers.
© Mirka Lugosi, 2006 – click to enlarge
It’ll remain on display until January 2012 and from what I can see it’s a very comprehensive show focussing on her drawings and presenting works from pretty much the entire past decade of her artistic shenanigans.. but wait, there is more:
“[...] L’exposition au Confort Moderne se construit autour d’un ensemble représentatif de son travail des dix dernières années et inclut d’autres travaux comme des illustrations des années 80 et 90 ou encore des archives des lives du Syndicat. Enfin, quelques photos vintage de Gilles Berquet et des éléments mobiliers qui l’accompagnent lors de ses séances de travail donnent une vue élargie de l’œuvre et du parcours de Mirka Lugosi.”
Ouais! Do go check this out, les enfants! Details below.
From the Le malaise enchanté series by Mirka Lugosi
On show: Nov 19, 2011 – Jan 13, 2012
Address: Le confort moderne / Association L’Oreille est Hardie, 185 rue du Faubourg du Pont-Neuf, 86000 Poitiers, France, tel: +33 5 49 46 08 08, email: box[at]confort-moderne[dot]fr
Hours: Mon – Fri: 2 – 6 PM
by Suzanne on December 1st, 2011
A Teardrop and a Flame by Christopher Conn Askew, watercolour, ink, graphite, nail polish & gouache on paper, 18 x 24 inches, 2011 – click to enlarge
96 Tears is one of the very few exhibitions where I don’t even mind looking at the opening photographs because for once, they’re full of beautiful and inspiring people – amongst them, obviously, the brilliant Askew-san himself.
For me, it has become ever clearer over the years that CC Askew is one of those rare artists who – rather than beginning to focus on the easy recipe of iconography that works and recurring themes that sell – constantly expand their intellectual and occult horizons, artistic heritage and understanding of foreign cultures and thus manage to integrate ever new aspects into their works.
In a way, CC has sometimes almost been a bit of a reverse Suehiro Maruo to me because just like Maruo – who has an obsession for blending motives from the Golden Age of Hollywood into his works – Askew does something similar with oriental cultures. And just like a Vania Zouravliov he does it with the utmost respect, admiration and sensitivity.
But this simple analogy would not do the master justice as he’s an iconosynthesist in his own right who has created his very own visual language and narrative codes.
So YEAH, what am I even writing this all for? It’s all pretty self-evident from the two new works posted here that you should absolutely go see 96 Tears if you’re in L.A. before December 10.
And in the meantime, I’ll be sitting here praying to the Elder Gods that Askew will be asked to design Shin Megami Tensei: Persona characters some fine day in the future.
No Golden Years by Christopher Conn Askew, watercolour, ink, graphite, nail polish, gouache & gold leaf on paper, 12 x 27 inches, 2011 – click to enlarge
On show: Nov 12 – Dec 10, 2011
Hours: Tue – Sat: 12 – 6 PM