Spreading fear and mayhem in the visual arts.

Max Klinger at the Museum of Modern and Contemporary Art, Strasbourg, and OH MAH GAWD IS SHE BACK OR WAT

by Suzanne on July 22nd, 2012


An die Schönheit; Vom Tode Zweiter Teil by Max Klinger, etching, 1890, courtesy V&A London - click to enlarge

Hi. I guess I'm back. Let's see whether I can still werq dis blog, yo.

In case you were wondering, I've been mainly hanging out over on FB (yes, yes, I know... stop looking at me like that - it just so happens that most of my online contacts are over there and it's just been too convenient to stay in touch). Anyway, just like most other anti-social online platforms, I'm using FB in a very unusual and actually useful way so if you care about getting a more daily dose of Wurzeltod®, you can subscribe to its public updates.

I'll try to do a better job at mirroring my FB posts to my Twitter like I used to do in the past for all those of you who rightly boycott FB, but let's face it, it's just not in my nature to ever be concise enough to tweet successfully.

I have also fed the forum with loads of new content, so go check it out and please note that a lot of the posts are NSFW. I can highly recommend the Symbiosis/Parasitism/Mutual Decay, the Eros & Thanatos as well as the Eyeballs thread. They make me happy. Yes they do.

Flickr update is also imminent, btw, maybe this news is of interest to those of you who still mainly remember me for sporting industrial insulation tape on nipples and other shit we used to do on Fotolog in the early noughties for reasons I now ABSOLUTELY cannot remember.

NEVER MIND.. on to more important matters now: Art that doesn't suck. We'll start with painter, sculptor and engraver genius Max Klinger.


Brahmsphantasie, Opus XII: Abduction of Prometheus by Max Klinger, etching, 1894 - click to enlarge

Max Klinger. We had him here back in 2008 with two examples from his magnificent dream-inspired Paraphrases about the Finding of a Glove series from 1881.

Now the Museum of Modern and Contemporary Art in Strasbourg is presenting a vast range of his engravings in a show called Max Klinger - The Theatre of the Bizarre which, as the title suggests, hopes to focus on how Klinger was forever driven by dream imagery and the relentless search for ways to visualise the cryptic, the elusive, the primordial, the eldritch, the uncharted, the subconscious.

Strasbourg hasn't sent me the press login through yet but with the museum's graphic arts room housing nearly 200 of Klinger's engravings, I can guarantee you that you will find some fantastic oneiric trouvailles at this retrospective.

Details below.


Rettungen Ovidischer Opfer, Opus II: Erstes Intermezzo by Max Klinger, etching, courtesy British Museum London - click to enlarge

On show: May 15 - Sep 16, 2012

Address: Museum of Modern and contemporary Art (MAMC), 1, place Hans Jean Arp, Strasbourg, France, tel: +33 (0)3 88 23 31 31 | Map

Hours: Tue - Sun: 10 AM - 6 PM

Admission: €7

Press release

WurzelForum discussion

Max Klinger, The Pre-Gorey, in Hamburg

by Suzanne on January 17th, 2008


Entführung, plate 9 of the Ein Handschuh ("A Glove") series by Max Klinger, 1881

Final chance for northern Germans to become acquainted with the ghastly & nightmarish symbolist oeuvre of Max Klinger - Edward Gorey's insanely ingenious father figure.

The retrospective entitled Eine Liebe. Max Klinger und die Folgen (A Love. Max Klinger's Impact on Modern Art) at Hamburger Kunsthalle has been extended to end this weekend, so it's not too late for you to plan a short trip to one of my favourite German cities.


In Flagranti, part of the Dramas series by Max Klinger, 1883

Recommended publication: Graphic Works of Max Klinger (Dover Art Collections)